Showing posts with label Pulp. Show all posts
Showing posts with label Pulp. Show all posts

Wednesday, 13 December 2017

Pulp (1972)



My actual review of this underappreciated quirky gem that reunited Michael Caine with Mike Hodges, the writer/director of Get Carter and its producer Michael Klinger, can be found at The Geek Show. So I'll just fill the space here with the fan letter JG Ballard sent to Hodges about the film:

“Pulp is a special favourite of mine – I must have watched my tape a dozen times, or more – a wonderfully witty script, and the brilliant attention to detail, as in Get Carter – so many superb performances, like the typing pool manager, or Caine himself, Lionel Stander and Al Lettieri. Lizabeth Scott was never better, and of course best of all was the great Mickey Rooney, totally unappreciated by film critics – you drew a fantastic performance out of him, which can’t have been easy – I love the scene of his dressing, moving layers of flattering mirrors past himself – I take my hat off – “A tip – don’t stand too close to him” – a great film.”


Sunday, 20 March 2016

Monday, 19 October 2015

RIP Christopher Wood

Writer Christopher Wood passed away at the weekend, aged 79. Wood's name will be instantly familiar with anyone of a certain age because he was responsible for some pure 1970s entertainment, namely the Roger Moore era of James Bond and the surprisingly successful saucy novel and film crossover series Confessions of...which made Robin Askwith a household name.






Wood wrote a staggering 19 Confessions novels under the name Timothy Lea. These cheap and cheerful paperback offerings focused on the amorous exploits  of Lea, it's first person narrator, as he tried his hand at various employment opportunities. Each book took Wood just five weeks to complete and three of them; Window Cleaner, Driving Instructor and Holiday Camp were made into films starring Askwith, Tony Booth and a host of 70s comic actors, effectively creating the sexploitation genre that the British film industry thrived upon in the 1970s. Wood also wrote Confessions novels feauring the female counterpart to Lea, known as the Rosie Dixon series of novels, one of which became the film Rosie Dixon, Night Nurse. He was also responsible for the Penny Sutton books - the stories of a flighty air stewardess and, as Oliver Grape, he wrote the first person series concerning a teenager coming to terms with his sexual appetites. As Frank Clegg, he wrote Soccer Thug, a novel featuring the thorny football hooliganism.

But it wasn't all cheap thrills, sex and violence. In the previous decade and, following his military service in Cyprus, Wood was a serious writer whose novel Terrible Hard, Says Alice has been compared favourably with Catch 22 and the work of Hemingway.  



In the late '70s, Bond came calling and Wood helped write the screenplays for two Roger Moore outings; The Spy Who Loved Me and Moonraker. It's easy to see the tongue in cheek charms of this era as being an ideal fit for the saucy, titillating style of Wood's Confessions novels but, in writing the film novelisations (given how each film took only the name of Ian Fleming's original novels), Wood was praised by no less than the literary giant, Fleming's friend and Bond pastiche author, Kingsley Amis; "Mr Wood has bravely tackled his formidable task, that of turning a typical late Bond film, which must basically be facetious, into a novel after Ian Fleming, which must basically be serious...the descriptions are adequate and the acting writing excellent"

In the '80s and '90s, Wood wrote scripts for Roger Corman and the 1985 film Remo Williams. In 2004, he wrote the caustically funny, California Here I Am, a semi-autobiography recalling his work Stateside in the film industry. He died on 17th October in London, aged 79.


Saturday, 3 January 2015

Out On Blue Six : Pulp

The inspiration behind Pulp's 1995 hit Disco 2000, Jarvis Cocker's childhood friend Deborah Bone ("Your name is Deborah, Deborah, It never suited ya") has lost her battle with cancer at the age of 51. She had just been awarded an MBE in the New Year Honours List for her services to children's mental health. Her blog describing her fight with cancer can be found here


It's strange to feel something for someone you don't even know, but that song gives you an association of sorts which means hearing the news of her death today was saddening. In many ways I think it's because the song has so much to do with life and growing up together that, to hear the inspiration behind it has passed away, rather hits you hard.


RIP

End Transmission


Saturday, 3 May 2014

Live Forever (2003)




If you haven't been living under a rock this last month you'll doubtless be aware that it is now 20 years since Britpop. I'm acutely aware of this fact and, when coupled with the realisation that you've now spent more time out of school than you have in it, it doesn't half make you feel old I can tell you. 

When Britpop hit the scene in 1994 its fair to say that as a 14/15 year old it struck a chord with me. I'd previously devoured my parents vinyl collection for Beatles records and rode the criticism from my peers for being into 'old fogies' music. Then came Oasis and suddenly the world turned on its head. Six months down the line I well remember the alleged cool kids at school saying 'well if you like Oasis you really wanna check out The Beatles, because they're much better' Hmm, not exactly what you were saying a year ago eh guys? Being at school, GCSE's on the horizon, standing on the precipice of the big wide world it felt revitalising to believe something was genuinely in the air, that the country was on the up, just as much as it felt odd that music, mere music, could give us that sense of optimism.

Of course we quickly discovered that the up meant Blair and a massive big fart in our collectively hopeful faces. 

Live Forever a 2003 music documentary film directed by John Dower covers all of this, walking the line between the music, the politics and the cultural compass of the UK at the time. There's a great feeling for all of this and the period as a whole right across the board as befits the team that brought us the equally conscientious and well edited/compiled One Day In September, as well as some wonderfully candid talking heads; Jarvis Cocker is always good value, Damon Albarn once again shows how savvy he is and how unfairly maligned he was during his heyday whilst Sleeper's Louise Wener proves to be the most intelligent and aware of her alumni. Then there's the brothers - Liam and Noel. The former is his usually funny and infuriating self with one scene regarding his alleged androgynous appeal proving a particularly hilarious highlight, whilst the latter proves to be just as intelligent and articulate as the others but still clearly somewhat bewitched and misguided about that now infamous Number 10 meet and greet. Face it Noel, you were bought.

For the 20th anniversary this film, made just in time for the 10th anniversary, is still a fitting watch but I would argue a few more talking heads would have made it something truly special; Elastica, Garbage, The Manics, Suede, Menswear, Supergrass, Echobelly, Catatonia...surely some of those were available?

Incidentally, the eternal question 'Blur or Oasis?' continues to reverberate to this day - I've seen Damon Albarn asked about the rivalry twice just yesterday on two separate TV shows - for what it's worth whenever I was asked it in the playground I always answered the same; 'Pulp'.

Thursday, 3 April 2014

Out On Blue Six : Pulp

The BBC are celebrating across both TV and radio the twentieth anniversary of Britpop. Blimey, 20 years already since (in all likelihood) Stuart Maconie coined the phrase to describe the burgeoning British indie scene.

At the time, I was still at school and faced the perennial question 'Blur or Oasis?' regularly.

Or course, the only sensible answer to that question was Pulp!



Jarvis Cocker. He may not be Jesus, but he does have the same initials.



End Transmission


Thursday, 20 June 2013

Help The Aged - Make Osborne See Sense

Right now, Chancellor George Osborne is deciding whether to carry on cutting care for the elderly and disabled people, or to give it the funding it deserves.

In the last three years, government spending in this area has gone down a shocking 20% even though there is a continuing and increasing need for it.

Please sign this petition from 38 Degrees and let Osborne know he needs to make the right decision and not do what Tories always do; shirk their responsibility in caring for the most vulnerable in our society.

Petition

And because it kind of fits the theme...


Thursday, 18 October 2012

Her Name Is Modesty

Daphne Alexander is set to play Modesty Blaise in an adaptation of the novel A Taste For Death, to be serialised on Radio 4 in December.


Daphne may be familiar to TV viewers for her role as nurse Nadia in Casualty in 2007. Not exactly a glowing era for the show or a brilliant part, but her beauty and talent were obvious and I'm sure she'll make a great Modesty - she's certainly not got a face for radio!

It's a great novel, I can't wait to see what Stef Penney (author of The Tenderness Of Wolves) will make of it in the adaptation.



I now officially love Radio 4! First Martin Beck adaptations, now this!!

This will be the first radio adaptation since Last Day In Limbo from BBC Radio in 1978 which starred Barbara Kellerman as Modesty, James Bolam as Willie Garvin and John Vernon as Siir Gerald Tarrant.