Anna Karina
September 22nd, 1940 - December 14th, 2019
Queen of the Nouvelle Vague, Danish-born Karina was a coquettish screen presence that has influenced many filmmakers and actresses since she first shot to fame in the 1960s as the muse of her then husband, Jean-Luc Godard. Her films with Godard are arguably some of his most popular and acclaimed, including Band a Part, A Woman is a Woman, Alphaville, Vivre sa vie, Made in the USA, and Pierrot le Fou which, combined with her trademark look of heavy eyeliner, tartan dresses, long socks and beret, ensured her rightful place as an icon of the 1960s.
Karina arrived in Paris at the age of 17 when she was just plain Hanne Karin Bayer. Poor and unable to speak the language, she was talent spotted outside a cafeteria one day by a woman from an advertising agency who convinced her to embark upon a career as a model. It is said that Coco Chanel helped her choose the professional name of Anna Karina. Godard spotted her in a series of Palmolive ads in which she appeared, seemingly nude, in a bathtub. Casting for his debut film, A bout de souffle, Godard offered her a small role that would require her to appear naked, which she declined, pointing out that she wasn't actually nude in the ads that had caught his attention. She did ultimately appear in Godard's film, The Little Soldier, and a creative and personal relationship ensued that was as tumultuous as it was professionally lucrative.
Following the breakdown of her marriage to Godard, Karina continued to act, appearing in Fassbinder's 1972 movie Chinese Roulette, but also diversified her career to take in various other roles, including a singer, director and novelist. She died of cancer in a hospital in Paris on December 14th.
RIP




























