Thankfully not a film about Trump’s intentions regarding the US/Mexico border, The Wall is, in fact, a tense, psychological war movie from director Doug Liman.
It’s surprising that the 52-year-old director of such big hitters as The Bourne Identity, Edge of Tomorrow and the recent American Made is responsible for The Wall because (and I don’t mean this as a criticism) this feels like the work of a young film school graduate, an extension perhaps of his graduation project. There’s something intrinsically low key about The Wall‘s intimate set-up, and something independently minded about its overall desire to subvert audience expectations that makes it a surprise move from an established action director like Liman. The film’s inherent youthfulness actually stems from Afro-American playwright Dwain Worrell, who was teaching English in China when he sold his screenplay on spec to Amazon Studios in 2014
Read my full review at The Geek Show