Friday, 1 September 2017

The Seasons in Quincy: Four Portraits of John Berger

He is a man both energised by ideas and intelligent discourse, and eager to learn from the perspectives and experiences of others even at his advanced age. Indeed, the years fall away from him during this segment as he paints illustrative pictures with his ever-moving hands,  speaks economically yet eloquently on the notion that heaven and hell have been supplanted by capitalism and communism (it is only in hell, he posits, where solidarity still means something) and passes his hipflask round the table. Watching him here I was suddenly struck by the amusing idea that he suddenly appeared a curious hybrid between Samuel Beckett  and Trevor Peacock in The Vicar of Dibley; the former because of his craggy, well lined features and thick snow-white hair, and the latter because of his soft ‘r’s’, the glee he clearly possesses from social communication, and the fact that this artificial round table talk seems to be taking place in a room not unlike a village hall!

See my full review at The Geek Show

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